This quantity units El Saadawi's literary paintings in the context of her activism, particularly displaying how her rules for the renewal of society run via her writing. As a spouse for examining her fiction and non-fiction, this volunme contextualizes her paintings via bearing in mind the complexities of Egyptian society this present day - specifically, Islamic fundamentalism and women's prestige. It additionally introduces the present scholarly debate on old women's prestige. Chapters on person novels glance either at method (oral literary traditions, women's narrative, imagery) and subject (female circumcision, gender roles, prostitution, honor killing).
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Extra resources for A Critical Study of the Works of Nawal El Saadawi, Egyptian Writer and Activist
As a prelude to discussing EI Saadawi's fiction in later chapters, we need to look further into the role of the gods and goddesses, particularly Isis, in ancient Egyptian culture. Of the Heliopolitan Ennead, the family of the nine primary Egyptian gods, four are female. The male god Atum ("the all" or "the complete one") produced a female offspring Tefnut ("moisture") and a male offspring Shu ("air"), who in turn produced the female offspring Nut ("sky") and the male offspring Geb ("earth"), who then produced the sisters Isis and Nephthys and the brothers Osiris and Seth.
19 On the other hand, Barbara Lesko notes, there are Old Kingdom records listing pharoahs' mothers for several centuries, which "would suggest that matrilineal descent was significant, at least during the formative centuries of Egyptian kingship and imparted both legitimacy and divinity to the king" (3). As well, some wives tried to and did obtain the throne after their husband's death. Betsy Bryan remarks that Hatshepsut is remembered on the Manethonian king lists, as "Amessis," and that occasional women rulers seemed to be accepted rather than rejected (36).
9 Referring to surviving contracts they note that a woman could "own property, retain it on marriage, and dispose of it exactly as she chose" (312). One document records the bride giving her bridegroom a substantial amount of money "as payment for all the rights and privileges which he will grant in the course of the marriage"; she may "collect any arrears in her dues," their children will inherit all their father's assets, and "the husband has no right to break. the agreement unilaterally" (312).
A Critical Study of the Works of Nawal El Saadawi, Egyptian Writer and Activist by Royer