By Robert Paul Lamb
A significant other to American Fiction, 1865-1914 is a groundbreaking selection of essays written by way of major critics for a large viewers of students, scholars, and normal readers.
- An really broad-ranging and available Companion to the learn of yankee fiction of the post-civil conflict interval and the early 20th century Brings jointly 29 essays by means of most sensible students, every one of which offers a synthesis of the easiest examine and gives an unique viewpoint
- Divided into sections on ancient traditions and genres, contexts and issues, and significant authors
- Covers a mix of canonical and the non-canonical topics, authors, literatures, and significant techniques
- Explores cutting edge themes, similar to ecological literature and ecocriticism, children’s literature, and the impression of Darwin on fiction
Chapter 1 The perform and advertising of yank Literary Realism (pages 15–34): Nancy Glazener
Chapter 2 pleasure and attention within the Romance culture (pages 35–52): William J. Scheick
Chapter three The Sentimental and household Traditions, 1865–1900 (pages 53–76): Gregg Camfield
Chapter four Morality, Modernity, and “Malarial Restlessness”: American Realism in its Anglo?European Contexts (pages 77–95): Winfried Fluck
Chapter five American Literary Naturalism (pages 96–118): Christophe Den Tandt
Chapter 6 American Regionalism: neighborhood colour, nationwide Literature, worldwide Circuits (pages 119–139): June Howard
Chapter 7 ladies Authors and the Roots of yankee Modernism (pages 140–148): Linda Wagner?Martin
Chapter eight the fast tale and the Short?Story series, 1865–1914 (pages 149–174): J. Gerald Kennedy
Chapter nine Ecological Narrative and Nature Writing (pages 177–200): S. ok. Robisch
Chapter 10 “The Frontier Story”: The Violence of Literary background (pages 201–221): Christine Bold
Chapter eleven local American Narratives: Resistance and Survivance (pages 222–239): Gerald Vizenor
Chapter 12 Representing the Civil battle and Reconstruction: From Uncle Tom to Uncle Remus (pages 240–259): Kathleen Diffley
Chapter thirteen Engendering the Canon: Women's Narratives, 1865–1914 (pages 260–278): Grace Farrell
Chapter 14 Confronting the quandary: African American Narratives (pages 279–295): Dickson D. Bruce
Chapter 15 Fiction's Many towns (pages 296–317): Sidney H. Bremer
Chapter sixteen Mapping the tradition of Abundance: Literary Narratives and purchaser tradition (pages 318–339): Sarah means Sherman
Chapter 17 secrets and techniques of the Master's Deed field: Narrative and sophistication (pages 340–355): Christopher P. Wilson
Chapter 18 Ethnic Realism (pages 356–376): Robert M. Dowling
Chapter 19 Darwin, technology, and Narrative (pages 377–394): Bert Bender
Chapter 20 Writing within the “Vulgar Tongue”: legislations and American Narrative (pages 395–410): William E. Moddelmog
Chapter 21 making plans Utopia (pages 411–427): Thomas Peyser
Chapter 22 American kid's Narrative as Social feedback, 1865–1914 (pages 428–448): Gwen Athene Tarbox
Chapter 23 an concept of Order at harmony: Soul and Society within the brain of Louisa could Alcott (pages 451–467): John Matteson
Chapter 24 the USA Can holiday Your center: at the importance of Mark Twain (pages 468–498): Robert Paul Lamb
Chapter 25 William Dean Howells and the Bourgeois Quotidian: Affection, Skepticism, Disillusion (pages 499–517): Michael Anesko
Chapter 26 Henry James in a brand new Century (pages 518–535): John Carlos Rowe
Chapter 27 towards a Modernist Aesthetic: The Literary Legacy of Edith Wharton (pages 536–556): Candace Waid and Clare Colquitt
Chapter 28 Sensations of favor: The Literary Realism of Stephen Crane (pages 557–571): William E. Cain
Chapter 29 Theodore Dreiser and the strength of the non-public (pages 572–585): Clare Virginia Eby
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Extra resources for A Companion to American Fiction 1865-1914
Native Son. 1940. FURTHER READING Blair, Sara (1996). Henry James and the Writing of Race and Nation. New York: Cambridge University Press. Boeckmann, Cathy (2000). A Question of Character: Scientific Racism and the Genres of American Fiction, 1892–1912. Tuscaloosa: University of Alabama Press. Brodhead, Richard H. (1993). Cultures of Letters: Scenes of Reading and Writing in Nineteenth-Century America. Chicago: University of Chicago Press. Brodhead, Richard H. (1986). The School of Hawthorne. New York: Oxford University Press.
Moreover, outcroppings of not only romance but also sentimentalism, sensationalism, regionalism, naturalism, and non-literary genres such as ethnography run through works that have been associated with realism. Realism does not today seem like an exclusive generic label, and literary genres themselves seem less like blueprints for authors to follow than traces of how texts were positioned among an array of literary and extra-literary possibilities for narrative. Within the politics of literary history, however, it is important to recognize that realism was first promoted at the expense of romance as a more modern and more properly American literary form.
1883. Twain, Mark. Adventures of Huckleberry Finn. 1884. Twain, Mark. ’’ 1895. Wharton, Edith. The House of Mirth. 1905. REFERENCES AND Anon. (1857). ’’ Putnam’s New Monthly Magazine, July, pp. 91–6. Arac, Jonathan (1986). ), Ideology and Classic American Literature, 247–66. New York: Cambridge University Press. Arac, Jonathan (1993). ’’ Modern Language Quarterly 54: 1, 105–10. Arac, Jonathan (1997). Huckleberry Finn as Idol and Target: The Functions of Criticism in Our Time. Madison: University of Wisconsin Press.
A Companion to American Fiction 1865-1914 by Robert Paul Lamb