By Gary Willis

ISBN-10: 0634017470

ISBN-13: 9780634017476

Able to take your enjoying to the following point? popular bassist Gary Willis offers invaluable how-to perception that bassists of all types and degrees can take advantage of. The textual content, pictures, tune, diagrams and accompanying 64-track CD supply a great, easy-to-use source for numerous subject matters, together with: strategies, improvising and soloing, apparatus, working towards, ear education, functionality, conception, and lots more and plenty extra.

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Extra resources for 101 Bass Tips: Stuff All the Pros Know and Use

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This squeezing can creep into your technique gradually without you noticing. Use this approach ocasionally to make sure this problem stays under control. S~USI-/Aft When you're working on soloing, it's normal to pick a set of changes or a tune and go for it. chorus after chorus ... over and over. Hopefully after twenty or thirty minutes or an hour, you feel like you've improved your vocabulary for that tune. But it's not likely that you'll get the opportunity to play that twenty-minute solo. You'll either get fired, get the band fired, or it's your gig to begin with and nobody cares, including the three people in the audience.

Drummers instinctively become more active and supportive when they're riding as opposed to the "walking on eggshells" mentality when they're only playing the hi-hat behind the bass solo. If the rest of the band insists on taking a break during your solo... " ... you can offer to do the same and return the favor. With that threat in mind, odds are you'll get all the support you want. If some areas of the neck are more uncomfortable than others, confine your left hand to those areas for practicing.

Since you've already looked at the changes and done your analyzing, this consistent approach gives you the correct finger on the correct chord every time. The new shorthand result is the equivalent of an eight-digit telephone number and is transferrable to any key. 62514@51 46 Transcribing is an important part of your musical development. Your goal in transcribing should be to get the music off your CD player into your hands. Writing it out is optional, but either process requires listening to the CD.

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101 Bass Tips: Stuff All the Pros Know and Use by Gary Willis


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